Yesterday I was painting at home for a change. Decided to carry on with a study of sardines - bit of a change for me, I suppose. Perhaps it was the domestic environment. We had sardines for tea on Saturday (from Clark Brothers, of course) and when I saw them on a plate I decided to do a quick watercolour sketch. Did it on the basis of no drawing to start with - just painting straight onto the page, and I had to be quick. It turned out like this.
Four Sardines (Watercolour)
I then did a charcoal sketch on Sunday, so the image was still in my head yesterday. I started in charcoal, and decided in this version I would include reference to the spotty tablecloth. More of a challenge, and potentially a more interesting picture. So quite soon it looked like this.
Four Sardines, emerging
I quite liked the link between the spots and the eyes (in the photo I took on Saturday, the eyes really stood out). I also wanted to accentuate the black tails, looking for some drama in the picture.
Anyway, after more acrylic and charcoal it ended up like this.
Four Sardines (Acrylic).
I was quite pleased at this point, so I stopped. Do they look good enough to eat? I think they look nicely dark and characterful, so that'll do for me. Maybe this is the start of my collaboration with Peter to compile a Fisherrow cookery book...Sardines a la Grecque, Fisherrow Style...haha.
Been busy at the 3 Harbours Arts Festival this week. I've been taking my turn on duty at Cockenzie House and at Cockenzie Power Station. Studio time has therefore been a bit disrupted, but I'll get back to work on my pictures soon.
Here are my power station pictures - all black and white ones for a change.