I focused first on Greyfriars Corner. What I liked about this as a composition was the glimpse through the gate to the graveyard, and the gravestone sitting like a focal point. So after re-drawing it once, I started again in graphite, rubbing out and oilbar.
I was wanted to use ink to get a darker moodier look to the painting. So I worked in both diluted and undiluted black ink.
Then I added a little oil-crayon/oil bar for a little colour. I somewhat boldly decided that the double-yellow lines were important to the painting, and so it has ended up like this. So far so good.
But I realised when I checked it against the original sketch that the
position of the trees and the proportions of the street were not quite
right. And I had not really captured the drama of the light. Again by
working in ink, I tackled these shortcomings. I think it's close to the look I'm trying to get, but this pic is a bit out of
focus.
Continuing with this urban theme, I pulled out an earlier sketch of Stockbridge Market gateway. I love this piece of townscape and wanted to try a pic. I started on an old piece of card.But I thought this was a bit too pale - wanted a darker look.
By this stage it was close to the textured look I was trying to achieve, but the card was disintegrating, so I realised I should do a new painting.
I ended up with something looking like this. However at this stage I thought some of the texture effects were a bit unsubtle, so I continued to work at this aspect. I also introduced a couple of ghostly figures - can you see them?Not sure if I've finished it or not yet. Perhaps it's just a bit too dark now. And I need to go back to my sketching spot and check the proportions against the actuality.
Anyway, I'm setting aside my urban preoccupations for the moment; hoping to do a little landscape painting. If only the wind would drop and the rain would stop raining....
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